{"id":1996,"date":"2025-05-12T15:40:20","date_gmt":"2025-05-12T13:40:20","guid":{"rendered":"https:\/\/www.u-picardie.fr\/crae\/?p=1996"},"modified":"2025-06-24T11:52:05","modified_gmt":"2025-06-24T09:52:05","slug":"brian-de-palma-la-politique-des-images-4-6-juin-2025-montpellier","status":"publish","type":"post","link":"https:\/\/www.u-picardie.fr\/crae\/brian-de-palma-la-politique-des-images-4-6-juin-2025-montpellier\/","title":{"rendered":"Brian De Palma\u00a0: La Politique des Images &#8211; 4-6 juin 2025 &#8211; Montpellier"},"content":{"rendered":"\n<p>Le colloque \u00ab\u00a0Brian De Palma\u00a0: La Politique des Images\u00a0\u00bb aura lieu les <strong>4-6 Juin 2025<\/strong> \u00e0 l&rsquo;<strong>Universit\u00e9 Montpellier Paul Val\u00e9ry<\/strong> <strong>(Site Saint-Charles 2 \u2013 Auditorium)<\/strong>. Il est co-organis\u00e9 par Julien Achemchame (UPJV), Julie Assouly (Artois) et <a href=\"https:\/\/www.u-picardie.fr\/crae\/elena-tyushova\/\">Elena Tyushova<\/a> (UPJV).<\/p>\n\n\n\n<p>Programme ci-dessous : <\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>4 Juin\/June 4<\/strong><\/h2>\n\n\n\n<p><strong>20h \u2013 Projection de \/ Screening of: <em>Redacted<\/em> (Brian De Palma, 2009)<\/strong>, <strong>Cin\u00e9ma Utopia Sainte-Bernadette (5 Av. du Dr Pezet, Montpellier)<\/strong>, Pr\u00e9sent\u00e9 par\/Presented by Nathan R\u00e9ra, auteur de l\u2019ouvrage \/author of&nbsp;: <em>Outrages<\/em>. <em>De Daniel Lang \u00e0 Brian De Palma<\/em> (Rouge Profond, 2021) \/ <em>Casualties of War. An Investigation<\/em> (Sticking Place Books, 2024)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>5 Juin\/June 5<\/strong><\/h2>\n\n\n\n<p><strong>9h00 \u2013 Ouverture, accueil, caf\u00e9 \/ Opening of the conference, welcome coffee<\/strong><\/p>\n\n\n\n<p><strong>****************<\/strong><\/p>\n\n\n\n<p><strong>9h30-11h \u2013 Panel 1: Guerre, m\u00e9dias &amp; histoire \u2013 War, media &amp; history<\/strong>, <strong>Mod\u00e9rateur\/Chair&nbsp;: Julien Achemchame<\/strong><\/p>\n\n\n\n<p>Simon Daniellou \u2013 <em>Domino<\/em> : la guerre silencieuse de Brian De Palma contre le \u00ab visuel \u00bb du terrorisme contemporain ?<\/p>\n\n\n\n<p>Jessica Novarino \u2013 L\u2019Histoire \u00ab revue et corrig\u00e9e \u00bb dans <em>Redacted<\/em> (Brian De Palma, 2007)<\/p>\n\n\n\n<p>Nathan R\u00e9ra \u2013 Montrer ce que l\u2019on ne peut voir : le sexe outrag\u00e9 dans l\u2019\u0153uvre de Brian De Palma<\/p>\n\n\n\n<p><strong><em>11h-11h30\u2013Pause caf\u00e9\/Coffee break<\/em><\/strong><\/p>\n\n\n\n<p><strong>11h30-12h30 \u2013 Panel 2: Espace politique\/Political Space<\/strong>, <strong>Mod\u00e9rateur\/Chair: Herv\u00e9 Mayer<\/strong><\/p>\n\n\n\n<p>S\u00e9bastien Lefait \u2013 Split Screens, Divided Truth: The Politics of Surveillance in De Palma\u2019s Films<\/p>\n\n\n\n<p>Benjamin L\u00e9on \u2013 L\u2019espace en trompe-l\u2019oeil : enjeux politiques de la transparence dans <em>The Fury<\/em> (1978) de Brian de Palma<\/p>\n\n\n\n<p><strong><em>12h30-14h D\u00e9jeuner\/Lunch break<\/em><\/strong><\/p>\n\n\n\n<p><strong>14h-15h30 \u2013 Conf\u00e9rence pl\u00e9ni\u00e8re de\/Keynote address by:<\/strong> <strong>Eyal Peretz (Indiana University Bloomington) \u2013 <\/strong>De Palma\u2019s Signature: <em>The Man Who Laughs<\/em> and <em>The Black Dahlia<\/em> &#8211; Auteur de\/author of: <em>Becoming Visionary: Brian De Palma\u2019s Cinematic Education of the Senses<\/em> (Stanford University Press, 2008) ; <em>The Off-Screen: An Investigation of the Cinematic Frame<\/em> (Stanford University Press, 2017) &#8211; <strong>Mod\u00e9ratrices\/Chairs: Julie Assouly &amp; Elena Tyushova<\/strong><\/p>\n\n\n\n<p><strong><em>15h30-16h \u2013 Pause caf\u00e9\/Coffee break<\/em><\/strong><\/p>\n\n\n\n<p><strong>16h-17h30 \u2013 Panel 3: Style, esth\u00e9tique\/Style, aesthetic<\/strong>, <strong>Mod\u00e9rateur \/chair : David Roche<\/strong><\/p>\n\n\n\n<p>Wickham Clayton \u2013 Free Love, Violence, Revolution and <em>Dionysus in \u201869<\/em><\/p>\n\n\n\n<p>Christophe Gelly \u2013 <em>Sisters<\/em> (1972) \u2014 Style and the politics of repression<\/p>\n\n\n\n<p>Argyrios Keleris \u2013 History, melancholy and allegorical structure in <em>Blow Out<\/em>.<\/p>\n\n\n\n<p><strong><em>19h30\/20h Banquet\/Conference dinner (Le Petit Jardin, 20, rue Jean-Jacques Rousseau 34000 Montpellier)<\/em><\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>6 Juin\/June 6<\/strong><\/h2>\n\n\n\n<p><strong>8h30 \u2013 Accueil caf\u00e9\/ Welcome coffee<\/strong><\/p>\n\n\n\n<p><strong>**********************<\/strong><\/p>\n\n\n\n<p><strong>9h-10h \u2013 Panel 4: Subversion<\/strong>, <strong>Mod\u00e9ratrice\/Chair : Monica Michlin<\/strong><\/p>\n\n\n\n<p>Martin Klein \u2013 Pointer la cam\u00e9ra l\u00e0 o\u00f9 \u00e7a fait mal : <em>Hi, Mom!<\/em> (1970) de Brian de Palma ou l\u2019art de la subversion<\/p>\n\n\n\n<p>Pauline Guedj \u2013 \u201cHonesty has nothing to do with it. This is show business.\u201d Race, stereotypes and performance in Brian De Palma\u2019s <em>Hi, Mom<\/em>! and <em>The Bonefire of the Vanities<\/em><\/p>\n\n\n\n<p><strong>10h-10h30<em> \u2013 Pause caf\u00e9\/Coffee Break<\/em><\/strong><\/p>\n\n\n\n<p><strong>10h30-12h \u2013 Panel 5&nbsp;: Esth\u00e9tique, po\u00e9tique &amp; critique\/Aesthetic, poetic &amp; critic<\/strong>, <strong>Mod\u00e9rateur\/Chair&nbsp;: Jean-Philippe Trias<\/strong><\/p>\n\n\n\n<p>H\u00e9l\u00e8ne Valmary \u2013 Politique de l\u2019acteur, po\u00e9tique du personnage :&nbsp; William Finley chez De Palma<\/p>\n\n\n\n<p>S\u00e9bastien David \u2013 In bed with De Palma<\/p>\n\n\n\n<p>Valentin Debatisse \u2013 Que voyons-nous r\u00e9ellement quand nous ne regardons pas vraiment un film ? La mission critique de Brian de Palma<\/p>\n\n\n\n<p><strong>13h30-14h30 \u2013 Panel 6&nbsp;: Genre\/Gender<\/strong>, <strong>Mod\u00e9ratrice\/Chair&nbsp;: Anne Cr\u00e9mieux<\/strong><\/p>\n\n\n\n<p>Pierre Eug\u00e8ne \u2013 <em>S\u0153urs de sang<\/em> : le partage du f\u00e9minin<\/p>\n\n\n\n<p>Baptiste Villenave \u2013 Repr\u00e9sentations de la transidentit\u00e9 dans <em>Pulsions<\/em> de Brian De Palma (<em>Dressed to Kill<\/em>, 1980) : transphobie ou empathie ?<\/p>\n\n\n\n<p><strong>14h30-15h<\/strong>&nbsp;<strong><em>\u2013 Pause caf\u00e9\/Coffee Break<\/em><\/strong><\/p>\n\n\n\n<p><strong>15h-16h \u2013 Panel 7&nbsp;: Interm\u00e9dialit\u00e9\/Intermediality<\/strong>, <strong>Mod\u00e9ratrice\/Chair&nbsp;: Claire Cornillon&nbsp;<\/strong><\/p>\n\n\n\n<p>Yamine Alem \u2013 Th\u00e9\u00e2tre, t\u00e9l\u00e9vision et cin\u00e9ma dans <em>Hi, Mom !<\/em> : fiction politique, enjeux esth\u00e9tiques<\/p>\n\n\n\n<p>Elena Tyushova \u2013 The Aesthetics and the Politics in the <em>Phantom of the Paradise<\/em><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"Le colloque \u00ab\u00a0Brian De Palma\u00a0: La Politique des Images\u00a0\u00bb aura lieu les 4-6 Juin 2025 \u00e0 l&rsquo;Universit\u00e9 Montpellier Paul Val\u00e9ry (Site Saint-Charles 2 \u2013 Auditorium). Il est co-organis\u00e9 par Julien&#8230; <a class=\"view-article\" href=\"https:\/\/www.u-picardie.fr\/crae\/brian-de-palma-la-politique-des-images-4-6-juin-2025-montpellier\/\">Voir l&rsquo;article<\/a>","protected":false},"author":13,"featured_media":1997,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[20,17,19,18],"tags":[],"class_list":["post-1996","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites-des-membres-du-crae","category-events","category-archives","category-dernieres-actus"],"_links":{"self":[{"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/posts\/1996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/comments?post=1996"}],"version-history":[{"count":2,"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/posts\/1996\/revisions"}],"predecessor-version":[{"id":2004,"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/posts\/1996\/revisions\/2004"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/media\/1997"}],"wp:attachment":[{"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/media?parent=1996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/categories?post=1996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.u-picardie.fr\/crae\/wp-json\/wp\/v2\/tags?post=1996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}